Showing posts with label 30x40. Show all posts
Showing posts with label 30x40. Show all posts

Wednesday, May 16, 2018

At the Movies, 30x40 Oil Painting on Canvas, Transformations Exhibit


Several years ago I participated in an art show called Transformations, in which each team consisted of an artist and a poet who collaborated to produce a painting and a poem. It's amazing how well-paired each team was, because many never met before this project.

My poet partner, Jean Shepard, lives in Jacksonville, so we met in Ormond Beach to toss around ideas for our collaboration.  When I was born, we lived in an apartment inside a movie theater, and my father managed the theater. She was fascinated by the idea of living inside a movie theater. She wrote her poem from my father's perspective and also made interesting observations on time and motion. All of this gave me the idea for a painting with my mother in the center, sitting on a crescent moon, surrounded by movie stars.
Here is Jean's poem, "At the Movies."


Being two with the hope of three,
it was all they could afford,
an apartment above the cinema
where for hours each day he was a god
at work, turning day into night,
night into day with a flipped switch.
Where he revealed moments
snatched out of time
and run through a light
for believers who sat in silence below.
When two became three,
they ascended the narrow stairs
carried a pink bundle to an empty crib
watched with fascination
the arms waving, the legs kicking,
the unknowing, introverted face.
But others waited below.
He descended to darkness and the machine,
the sour smell of celluloid,
its tiny pieces of the past
curled on themselves like a  shell.
As he turned the switch on
and watched the relentless streaming
he suddenly saw how we move in the world,
how we run forward while
looking back over our shoulders
caught up in continuous flight.
Then he thought of the pink bundle above him,
the new skin, curled fingers,
the tiny feet that had not touched earth
and he was afraid.

Monday, February 13, 2017

Stephanie, 30x40


I have zero time for painting, so I am reaching into the archives for this portrait of my daughter that I painted years ago. I was still working full-time and painted this in my kitchen at night, because that room had the brightest light in the house. I was completely self-taught at that point, just biding my time until I could retire and paint full-time.

I now have a job that's taking 100 percent of my time, and it is art, but not painting. Keeping it under wraps until time for the big reveal.

Carmen

Wednesday, December 14, 2016

Rain's Coming, 30x40 Oil Painting on Canvas, Seascape


These are two of the paintings I will be exhibiting at my show on Anna Maria Island, at Paradise Found AMI, this Friday, the 16th of December. The address is 505 Pine Avenue. If you are in the area, please stop by.

I love painting weather. You can look out over the ocean and see all sorts of weather phenomena. Between the sky and the surf, there is always something to paint, even on a sunny day.

Carmen

Friday, November 18, 2016

At the Movies, 30x40 Oil Painting on Canvas, Transformations Exhibit


Several years ago I participated in an art show called Transformations, in which each team consisted of an artist and a poet who collaborated to produce a painting and a poem. It's amazing how well-paired each team was, because many never met before this project.

My poet partner, Jean Shepard, lives in Jacksonville, so we met in Ormond Beach to toss around ideas for our collaboration.  When I was born, we lived in an apartment inside a movie theater, and my father managed the theater. She was fascinated by the idea of living inside a movie theater. She wrote her poem from my father's perspective and also made interesting observations on time and motion. All of this gave me the idea for a painting with my mother in the center, sitting on a crescent moon, surrounded by movie stars.
Here is Jean's poem, "At the Movies."


Being two with the hope of three,
it was all they could afford,
an apartment above the cinema
where for hours each day he was a god
at work, turning day into night,
night into day with a flipped switch.
Where he revealed moments
snatched out of time
and run through a light
for believers who sat in silence below.
When two became three,
they ascended the narrow stairs
carried a pink bundle to an empty crib
watched with fascination
the arms waving, the legs kicking,
the unknowing, introverted face.
But others waited below.
He descended to darkness and the machine,
the sour smell of celluloid,
its tiny pieces of the past
curled on themselves like a  shell.
As he turned the switch on
and watched the relentless streaming
he suddenly saw how we move in the world,
how we run forward while
looking back over our shoulders
caught up in continuous flight.
Then he thought of the pink bundle above him,
the new skin, curled fingers,
the tiny feet that had not touched earth
and he was afraid.

Thursday, June 2, 2016

Storm's Coming, 30x40 Oil on Canvas, Seascape


This painting is currently on display with the Pieces of Eight art exhibit at the Melbourne International Airport. We are exhibiting oil paintings, wall hangings, digital art, hand-colored photos and watercolors. The artists exhibiting are Kathy Garvey, Denette Schweikert, Carol Schiff, Donna Vines, Mary Warnick and me.

If you happen to be traveling through the Melbourne Airport, pause to enjoy our exhibit. It is inside the Security Area. 

Carmen