Showing posts with label 20x24. Show all posts
Showing posts with label 20x24. Show all posts

Monday, December 28, 2015

Repose, 20x24 Oil on Canvas, after John Singer Sargent


Not For Sale

There are few paintings of mine that I won't sell, but this is one. I always loved this piece by John Singer Sargent, and I copied it in worshipful awe of his skills. 

Christmas was eventful and I was sick. I didn't realize I was allergic to our tree. When it dawned on me that might be a possibility I looked it up and the Christmas Tree Association has warnings, saying you should wash your tree before bringing it inside. We tossed it after everyone went home, then left the next day for Anna Maria Island, and I had a quick recovery--so much so that I was playing baseball by late afternoon! 


Thursday, December 3, 2015

Silver Sandals, 20x24, Oil on Canvas


NFS

I painted this a few years ago, when my daughter was getting ready for my sister's wedding. Painting a mural and having Thanksgiving has made my painting time negligible, so I went to the past for this one. What a jolly good time we had at the wedding, which was in beautiful Middleburg, Virginia.

Speaking of Middleburg, they have a wonderful annual Shakespeare festival, "Shakespeare in the Burg," and next year's date is April 2-3. Click here for details:

http://shakespeareintheburg.com/

Carmen

Monday, January 13, 2014

Flower Fantasy, 20x24 Acrylic on Canvas


Here is my acrylic skin technique on black. It is like collaging with paint skin, and just as messy as paper collage. Perhaps I could combine the two? Hmmm...

I love painting with oils, but now and then I digress and chase intriguing shiny objects. This one is, literally, shiny. The heavy lines are metallic gold paint.


Friday, January 10, 2014

Call Me Ishmael, 20x24 Acrylic on Canvas



This morning on the news I saw that a Taiwanese man drifted in the sea for 60 hours floating on a coffin lid. This was like pulling a page from Moby Dick, where Ishmael was the lone survivor because of floating on a coffin. I changed the name of this watery-looking painting in his honor. 

This technique is new for me. It is poured acrylic that I let dry into a 'skin,' then I peeled it up, cut it apart and arranged the design. It is glued to a stretched canvas. This is a very time-consuming endeavor, but I like the result. I am drying some very light colors now to see what I can do on a dark background.